Stefano Orazzini

The world is more colorful than the eye can see

Hi Everyone, I am Tuscany, Italy based professional awards winning photographer, specializing in Fine Art, Travel, Landscape and Architecture photography. My works have been published in the biggest media channels, like The Times, Huffington Post, The Telegraph, Le Figaro, Repubblica, El Pais, La Stampa, NatGeo, Lonely Planet and so on. I'm also enthusiastic about Black and White photography made with my Hasselblad medium format film camera.

Follow this artist here

Collections by this artist

Ukiyo, the Floating World

Ukiyo-e (literally “pictures of the floating world”) is the name given to popular paintings and prints (scenes from history, folk tales, cities, travels, nature, landscapes and erotica) during the Edo period in Japan. My work wants to be a tribute to the wonderful land of Ukiyo. I have chosen to portray this by means of a brief narrative about the natural and urban landscape, a story in which man may be absent from the scene, but is fully present in terms of his achievements and his choices. Clear images (Shiro) and dark images (Kuro) appear to be two distant universes, yet they are linked by a strong bond whose roots are to be found in the legacy of a thousand- year-old culture, ranging from popular art to a profound respect for mankind and nature.

Lunar

Real or fake ? Possible or impossible ? The moon landing has always inspired unconscious feelings of incredulity. It’s hard to deny that our certainty has been shaken more than once by our stubborn, archaic attachment to a sceptical stance. The conspiracy theories that have grown up around the moon landing only prove to what extent the role of photography as the objective representation of reality – Roland Barthes’ “ça a été” (that has been) – has been challenged. The great variety of processes at the photographer’s disposal for constructing an image, in fact, actually nullifies any guarantee of authenticity and compromises the medium’s access to reality. The observer’s glance becomes precarious; the photographer has the ability to falsify reality with a realistic image that appears to be genuine, but by hiding the truth behind unrealistic images he clouds the viewer’s perception. Lunar plays on the vibrations induced by the images beheld by the observer and probes the ambiguity and relativism of the border between reality and its representation.

Mascagni Terrace At Sunset. Livorno Picture Canvas Wall Art in Colour

Size: 31x46cm

By Stefano Orazzini

Standard Prints

Canvas Prints

Framed Prints

Framed Mounted Prints

Acrylics

Stefano Orazzini

Follow this artist here

Collections by this artist

Terraces

Black and White Photography

Cinque Terre and Liguria

Long Exposures - Colours Images

In Vino Veritas

Italy

Water ²

Forests and Waterfalls

Italian Mountains

Ukiyo, the Floating World

Lavender

Venice, "La Serenissima"

Cities and Villages of Italy

France

Tuscany Classic

Burano Island

Lunar

Italian Lakes

Winter

Our Trustpilot reviews

We are so confident in our products and service, we offer a 30 day 100% refund policy

Why shop with us?

About us

For 18 years we have been supplying

Thank you!

Unlock 18% OffYour Next Purchase

What happens next?